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And there are dance sequences inside and outside the building, staged by the avant-garde Belgian choreographer Sidi Larbi Cherkaoui, in which performers kneel like protesting football players and do synchronized abdominal exercises on the Daru stairs. The couple and their dancers also perform in front of the large-scale paintings of revolutionary and early imperial France in the long Grande Galerie: David’s “Oath of the Horatii” and portrait of Madame Récamier Théodore Géricault’s “Charging Chasseur” and “Raft of the Medusa.” (Longtime Louvre watchers will know that Jay-Z is not the first black artist to rap there: In 2006, Toni Morrison invited slam poets from Paris’s banlieues to freestyle in front of Géricault’s shipwreck.)Ī hand-held camera pans across the ornate walls of the Apollo Gallery, built for Louis XIV, and zooms in on its gold-framed ceiling murals. In the video, directed by Ricky Saiz, Bey and Jay follow the well-trod tourist route past the Louvre’s three most famous works - the Venus de Milo on the ground floor, the Winged Victory of Samothrace atop the broad Daru staircase and the Mona Lisa in the Denon wing. Pei’s entrance pyramid and squirm in formation in front of Jacques-Louis David’s gigantic “Coronation of Napoleon.” It’s a firecracker of a song - and, from an art critic’s perspective, more sophisticated and more genuine than their earlier forays into museums and galleries, such as Jay-Z’s dreary Marina Abramovic parody “Picasso Baby.” Apest, Beyonce and Jay-Zs new music video, looks to the Louvre for cachet, and there are unexpected layers in how they do it. The video for the single “Apes**t” sees Beyoncé, Jay-Z and their dancers vamp on Pierre Paulin’s circular gray banquettes, drop verses in front of I.M. Not only did the first couple of American pop music impose their standard omertà on the songwriters, musicians, producers and technicians who helped them complete their new album “Everything Is Love” they also got the mandarins of Paris’s largest museum to keep mum about their first single, whose video was shot in the galleries and the exterior plaza of the Musée du Louvre. So full credit to Beyoncé and Jay-Z - known, in tandem, as the Carters - for extending their cone of silence all the way to the City of Light. The video ends with Beyoncé previewing a country song about Texas, the state in which she was born and raised. “He meets this woman, but no - and then that never even took off at all.PARIS - More than art, more than music, what the cultural eminences of this city really love is gossip. He goes abroad,” he said, revealing how the movie’s plot might’ve played out with Adele as the lead.
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8, the actor disclosed that he had “thought about Adele” during casting. Speaking at the 2024 Santa Barbara International Film Festival on Feb. Queen Bey and Mother Monster weren’t Cooper’s only co-star picks.
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Cooper and his co-lead were both nominated in multiple categories at the 2019 Academy Awards, at which Gaga took home the Oscar for Best Original Song with “Shallow.” Another Singer Was Considered Dubbed as 'Queen Bey' and a prominent cultural figure of the 21st century, she has been recognized for her artistry and performances, with Rolling Stone naming her one of the greatest vocalists of all time. Gaga - real name Stefani Germanotta - was cast in the role and helped the 2018 musical-drama become a critical and commercial success. Beyoncé Giselle Knowles-Carter (/ b i n s e / bee-ON-say born September 4, 1981) is an American singer, songwriter and businesswoman. What was I even thinking?’ And then I asked to meet her.” “It was in that moment where it was like, ‘That’s it. “It just blew the doors off of the whole place,” he recalled during the SAG-AFTRA interview. Warner Bros/Moviestore/ShutterstockĬooper also revealed that watching Lady Gaga perform live at a benefit concert was the moment he found his leading lady. Bradley Cooper and Lady Gaga in A Star Is Born.